First, read the essay “Preface to ‘The Bush Garden'” by Northrop Frye on page 107 of The Oxford Anthology of Canadian Literature.
What, according to Frye, are the essential characteristics of Canadian Literature?
Now, which one of the following poems exemplifies best these essential characteristics?
Milton Acorn: “The Island,” “The Fights”
Margaret Atwood: “Death of a Young Son by Drowning”
Margaret Avison: “In a Season of Unemployment”
Earle Birney: “Bushed”
George Bowering: “Prairie,” “Mud Time”
Leonard Cohen: “God is Alive”
George Johnston: “The Pool,” “In It”
D.G. Jones: “Pastoral”
Robert Kroetsch: “Stone Hammer Poem”
Patrick Lane: “The Carpenter”
Irving Layton: “Berry Picking”
Gwendolyn MacEwen: “The Armies of the Moon”
Jay Macpherson: “The Anagogic Man”
Michael Ondaatje: “Letters and Other Worlds”
P.K. Page: “The Stenographers”
F.R. Scott: “W.L.M.K.”
Miriam Waddington: “Advice to the Young”
Phyllis Webb: “Lament”
All discussion of literature produced in the Canadian West must of necessity begin with the impact of the landscape on the mind. – Henry Kreisel, The Prairie: A State of Mind
We are all immigrants to this place even if we were born here: the country is too big for anyone to inhabit completely, and in the parts unknown to us we move in fear, exiles and invaders. This country is something that must be chosen -it is too easy to leave – and if we do choose it we are still choosing a violent duality. – Margaret Atwood, Afterword to the Journals of Susanna Moodie
In recent years the tension between his appearance of being just like someone else and the demands of authenticity has become intolerable – both to individuals and to the society. The major writers resolve the paradox -the painful tension between appearance and authenticity – by the radical process of demythologizing the systems that threaten to define them. They uninvent the world. – Robert Kroetsch, Unhiding the Hidden: Recent Canadian Fiction.
The first task is to recognize your condition, to articulate it. The second task is to change it. – Patrick Lane
All Literature is a conscious mythology: it creates an autonomous world that gives us an imaginative perspective on the actual one. – Northrop Frye
Someone who lives in one place and believes himself in another is insane. – Margaret Atwood, Survival
It seems to me that the Canadian sensibility has been profoundly disturbed, not so much by our famous problem of identity, important as that is, as by a series of paradoxes in what confronts that identity. It is less perplexed by the question, “Who am I?” than by some such riddle as “Where is here?” – Northrop Frye, Literary History of Canada
Synthesis of 15 “essential characteristics” from Frye:
- We are myth destroyers.
- We are paradoxical – we search for our own identity.
- We celebrate victims.
- We celebrate individual suffering – defeated by rebellion.
- Truly authentic Canadian experience is shrouded in violence and paranoia.
- External world defines who we are.
- Fear of America, Europe, “Old World.”
- Interior Separation
- Garrison Mentality
- Exploration and Discovery: Quest
- Canada is the great asylum for victims the world over.
- Long periods of death followed by the rush to (re)produce.
- Authors explore three key relationships to determine who we are:
- our relationship with the environment
- our relationship with each other
- our relationship with the Divine.
- Societal barriers, systems of all kinds are pulled back to uncover briefly who we are.
- Immigrants could not control the land or nature – so they controlled the Indians.